Identity, development and otherness in the Andean Latin American post-drama

This study analyzes the development of the identity of the theater in Andean Latin America against the otherness imposed by foreign cultures, and particularly Spain, which by using the same language could exercise an "undesirable" influence on the postdramatic worldview in America Latina, especially when the past of both looks of a theatrical nature comes from the same trunk. We will use this otherness as a methodology of analysis, the order of chaos and its categories, taking into account the variables of meaning and the patterns of emptiness, of the absurd. It is proposed that the origin of theater in Spanish language has a birth and trunk different from Greco-Roman and for this a brief study of The Auto of the Magi is made. To finish, one enters in the dissection of some notes and characteristics of the Andean theater in Latin American lands from several works from Ecuador, Bolivia and Peru.