FROM THE SIMILARITY TO MODULATION. IMAGE AND ANALOG/DIGITAL OPPOSITION

This article reviews the analogic/digital oposition and the way in which contemporary discourses such as the ones of cognitive theory, semiotics, aesthetics and philosophy in particular, it aims at restating the traditional use of opposition in order to define image and its modalities diminishing any form of visuality towards traditional concepts of representation of resemblance so that images would not be anything else but a copy or reproduction of reality, apart from the system of code that produces or interprets. This article propuse instead an observation of the visual regime from the concepts of modulation and intensity targeting and ontology of image understood as the energetic flow that constitutes the core threat in the multiple interwoven reality.