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- [31] The functionality of Valle-Inclan's stage directions in 'Divinas Palabras' ANALES DE LA LITERATURA ESPANOLA CONTEMPORANEA, 2002, 27 (03): : 95 - 109
- [33] Valle-Inclan and stage direction: A forgotten letter from 1916 ESTRENO-CUADERNOS DEL TEATRO ESPANOL CONTEMPORANEO, 1998, 24 (01): : 26 - 29
- [34] Three looks at a myth: Don Juan in the work of Valle-Inclan ANALES DE LA LITERATURA ESPANOLA CONTEMPORANEA, 2006, 31 (03): : 721 - 739
- [35] GRAPHIC EYESORE: BRIEF HISTORY OF CARICATURE WITH VALLE-INCLAN AT THE BACK ANALES DE LA LITERATURA ESPANOLA CONTEMPORANEA, 2017, 42 (03): : 27 - +
- [36] The resurrection of Valle-Inclan:: First reception of 'La Corte de los Milagros' ANALES DE LA LITERATURA ESPANOLA CONTEMPORANEA, 2004, 29 (03): : 673 - 735
- [37] INTENTIO AUCTORIS AND VISION OF HISTORY IN THE LAST VALLE-INCLAN. THE IBERIAN WHEEL CONTEMPLATED FROM THE PUBLISHED ARTICLES IN THE DIARY NOW (1935) ANALES DE LA LITERATURA ESPANOLA CONTEMPORANEA, 2017, 42 (04): : 261 - +
- [38] 'Relembradas' languages and remembered languages:: The presence of Gallego in the work of Valle-Inclan ANALES DE LA LITERATURA ESPANOLA CONTEMPORANEA, 2006, 31 (03): : 751 - 779
- [39] Time and history in La 'Media Noche' (Ramon del Valle-Inclan) ANALES DE LA LITERATURA ESPANOLA CONTEMPORANEA, 2003, 28 (03): : 53 - 70
- [40] Valle-Inclan from Espasa-Calpe (Spanish, history of publishing) INSULA-REVISTA DE LETRAS Y CIENCIAS HUMANAS, 1998, 53 (622): : 36 - 36