The excessive intimacy: doubles, between the literature and the song of Spanish author

The article focuses on the construction of the "double" in Serrat and Sabina's poetics and its relationships with Literature. In the case of Serrat, we explore the singer's connections with some authors of Barcelonian gauche divine, like Marse and Gil de Biedma, and, in relation to Sabina, his clear bonds with the poetry of the "experience". Both, on the other hand, work in diverse planes of the literary tradition and its archetypes. Besides, they meet like Machado's "complementary" in the recital Dos pajaros de un tiro, to which this article also tries to examine.