CONNECTIONS WITH THE AUDIENCE, WRITING FOR A SCOTTISH THEATER + AN INTERVIEW WITH ARNOTT,PETER

被引：0

|

作者：

GIESEKAM, G

ARNOTT, P

机构：

来源：

NEW THEATRE QUARTERLY | 1990年 / 6卷 / 24期

关键词：

D O I：

暂无

中图分类号：

TU242.2 [影院、剧院、音乐厅];

学科分类号：

摘要：

引用

收藏

页码：318 / 334

页数：17

相关论文

共 40 条

[31] It's a cultural war - An interview with Mario Martone on the revival of Rome's Argentina Theater, bad critics, and a good audience
Klett, R
Martone, M
THEATER HEUTE, 2000, (06): : 31 - 31
[32] LISTENING TO WHAT PEOPLE ARE REALLY SAYING - AN INTERVIEW WITH SODANN,PETER, MANAGING DIRECTOR OF THE NEUES-THEATER IN HALLE
TRAUTH, V
SODANN, P
THEATER DER ZEIT, 1991, 46 (11): : 20 - 22
[33] Making a Museum: "it is making theater, not writing theory" An Interview with Stephane Martin, Presidentdirecteur general, Musee du quai Branly
Naumann, Peter
MUSEUM ANTHROPOLOGY, 2006, 29 (02) : 118 - 127
[34] AN INTERVIEW WITH AYCKBOURN,ALAN ON PLAY-WRITING, HIS NEW THEATER, AND HIS LATEST WORK 'BY JEEVES', WITH MUSIC BY LLOYDWEBER,ANDREW
KRANZ, D
AYCKBOURN, A
THEATER HEUTE, 1996, (06): : 20 - 21
[35] THE MISTRUST OF LIFE, RELATIONS IN DANCE + AN INTERVIEW WITH VANLEEUWEN,GER - CONNECTIONS BETWEEN BUTOH, AUSDRUCKSTANZ AND DANCE-THEATER IN CONTEMPORARY EXPERIMENTAL DANCE
VANSCHAIK, E
VANLEEUWEN, G
BALLETT INTERNATIONAL, 1990, 13 (05): : 11 - &
[36] AN INTERVIEW WITH MOL,PAULINE AND ZIPSON,ALLAN ON WRITING AND DIRECTING FOR CHILDRENS-THEATER, WITH SPECIAL REFERENCE TO DE 'WALS VAN DE MAN DIE WEINIG IST'
FRANKE, E
MOL, P
ZIPSON, A
THEATER HEUTE, 1987, (12): : 38 - 39
[37] WRITING PLAYS WITHOUT AN AUDIENCE - THE DRAMATIC THEORY OF LESSING AND THE CONTEMPORARY RECEPTION OF 'MINNA VON BARNHELM' AND 'EMILIA GALOTTI' - AN INVESTIGATION OF THE HISTORY OF THE GERMAN THEATER AND ITS AUDIENCES - GERMAN - RUESKAMP,W
PONS, G
ETUDES GERMANIQUES, 1986, 41 (02): : 216 - 216
[38] Walter Redfern: Writing on the move. Albert Londres and investigative journalismBern etc.: Peter Lang 2004 (= Reihe: European Connections; Bd. 8), 266 Seiten, Eur 51,-
Manfred Redelfs
Publizistik, 2005, 50 (4) : 505 - 506
[39] Unity, justice and the freedom to take risks - What changes must be made in the structure of the German theater so that it can be preserved? An interview with Peter Raue and Rolf Bolwin (The so-called Weimar Model)
Wille, F
Raue, P
Bolwin, R
THEATER HEUTE, 2002, (04): : 4 - 9
[40] AN INTERVIEW WITH MINETTI,HANS,PETER, VICE-PRESIDENT OF THE VERBAND-DER-THEATERSCHAFFENDEN-DER-DDR AND RECTOR OF THE HOCHSCHULE-FUR-SCHAUSPIELKUNST-ERNST-BUSCH, ON THEATER WORK AFTER THE 10TH PARTY CONGRESS OF THE SED .1.
JOHN, HJ
MINETTI, HP
THEATER DER ZEIT, 1982, 37 (01): : 4 - 7

← 1 2 3 4 →