Disciplining the Past, Policing the Present: The Postcolonial Landscape of Ecuadorian Nostalgia

The present article assesses the complex reconfiguration that studying the past signifies when one becomes visibly aware of the enormous political and cultural implications that such an endeavor entails. To this end, I will use the Ecuadorian landscape as an entry point or particular case to understand these larger theoretical problematics within a more empirically grounded ethnographic framework. I will rely heavily on my own previous assessments of particular reconfigurations of the past in the Ecuadorian imaginary through the production of the archaeological site of Cochasquí (Benavides, Making Ecuadorian Histories: Four Centuries of Defining Power, 2004a); the Indian movement’s historical recovery of their pre-Hispanic past; the representation of a troubling pre-Hispanic homosexual harem of young coastal boys known as the enchaquirados; and the more recent representation of Guayaquil’s national identity over the last century. All of these studies have viewed the manner in which the differing communities of the Ecuadorian nation-state utilize the past in conscious and unconscious forms to legitimize their own political ambitions. More concretely even, these studies exemplify the manner in which archaeological discourse is used to identify itself as the most rightful heir to assessing and understanding the national past, and ultimately, defining what being Ecuadorian means or should be all about.