Assessing Musical Similarity for Computational Musical Creativity

被引:0
|
作者
Goddard, Callum [1 ]
Barthet, Mathieu [2 ,3 ]
Wiggins, Geraint A. [4 ,5 ]
机构
[1] Queen Mary Univ London, Media & Arts Technol PhD Program, London, England
[2] Queen Mary Univ London, Digital Media, London, England
[3] Queen Mary Univ London, Media & Arts Technol Studios, London, England
[4] Queen Mary Univ London, Computat Creat, London, England
[5] Vrije Univ Brussel, AI, Brussels, Belgium
来源
基金
英国工程与自然科学研究理事会;
关键词
SYSTEM;
D O I
10.17743/jaes.2018.0012
中图分类号
O42 [声学];
学科分类号
070206 ; 082403 ;
摘要
Computationally creative systems require semantic information when reflecting or self reasoning on their output. In this paper we outline the design of a computationally creative musical performance system aimed at producing virtuosic interpretations of musical pieces and provide an overview of its implementation. The case-based reasoning part of the system relies on a measure of musical similarity based on the FANTASTIC and SynPy toolkits that provide melodic and syncopated rhythmic features, respectively. We conducted a listening test based on pair-wise comparison to assess to what extent the machine-based similarity models match human perception. We found the machine-based models to differ significantly to human responses due to differences in participants' responses. The best performing model relied on features from the FANTASTIC toolkit obtaining a rank match rate with human response of 63%, while features from the SynPy toolkit only obtained a ranking match rate of 46%. While more work is needed on a stronger model of similarity, we do not believe these results prevent FANTASTIC features being used as a measure of similarity within creative systems.
引用
收藏
页码:267 / 276
页数:10
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