Helmholtz musicus. The objectivisation of music in the 19th century through Helmholtz' teachings of sound perception

被引：0

|

作者：

Moro, Nadia

机构：

来源：

RIVISTA DI STORIA DELLA FILOSOFIA | 2007年 / 62卷 / 01期

关键词：

D O I：

暂无

中图分类号：

B [哲学、宗教];

学科分类号：

01 ; 0101 ;

摘要：

引用

收藏

页码：176 / 178

页数：3

相关论文

共 50 条

[41] The great topoi of the 19th century and the music of Franz Liszt
Fedoszov, Julia
STUDIA MUSICOLOGICA, 2018, 59 (1-2) : 209 - 215
[42] Music as a profession, Christ-oratories in the 19th Century
Rosenberg, Jesse
NOTES, 2012, 68 (03) : 573 - 577
[43] The repertory of the Vienna court music orchestra the 19th century
Mücke, P
MUSIKFORSCHUNG, 2001, 54 (02): : 190 - 192
[44] MUSIC-STUDY IN GERMANY IN 19TH CENTURY - FAY,A
不详
JOURNAL OF RESEARCH IN MUSIC EDUCATION, 1966, 14 (01) : 64 - 64
[45] Manipulations of a motif in 19th century organ music.
Miehe, Ulrich
MUSIKFORSCHUNG, 2007, 60 (01): : 62 - 63
[46] Neapolitan music periodicals in the second half of the 19th century
Grande, T
FONTES ARTIS MUSICAE, 1997, 44 (02) : 151 - 168
[47] The perception of history in 19th century France: Romantic paradigms
Kohlhauer, M
ROMANTISME, 2001, 31 (114) : 5 - 29
[48] The Perception of the West in Yeonhaeng gasa in the 18th and 19th Century
Jeong-Sun, Yu
REVIEW OF KOREAN STUDIES, 2006, 9 (04): : 63 - 81
[49] PERCEPTION OF THE CONQUISTADOR IN 18TH & 19TH CENTURY LATINAMERICAN TEXTS
Gil Amate, Virginia
AMERICA SIN NOMBRE, 2007, (9-10): : 75 - +
[50] The Sound of Paris. A Journey into the Musical Metropolis of the 19th Century
Strecker, Nicole
TANZ, 2019, (04): : 56 - 56

← 1 2 3 4 5 →