共 50 条
- [31] CINEMA AS A COMPREHENSION OF LITERATURE ("STONE" OF A. SOKUROV AND ARTISTIC WORLD OF A. P. CHEKHOV) VESTNIK SLAVIANSKIKH KULTUR-BULLETIN OF SLAVIC CULTURES-SCIENTIFIC AND INFORMATIONAL JOURNAL, 2016, 42 : 163 - 173
- [32] The lexico-semantic field "spring" in the language picture of A. P. Chekhov's world SIBIRSKII FILOLOGICHESKII ZHURNAL, 2016, (01): : 178 - 184
- [33] WHO KILLED BELIKOV: ABOUT THE HUNTING INTRIGUE OF A. P. CHEKHOV'S LITTLE TRILOGY PHILOLOGICAL CLASS, 2022, 27 (04): : 112 - 124
- [34] A. P. Chekhov and the Concept of "Degeneration": to the Problem of Cryptopoetics of Russian Literature PROBLEMY ISTORICHESKOI POETIKI, 2021, 19 (03): : 206 - 221
- [35] Life, as it really is... The tragicomic in the late plays of A. P. Chekhov RUSSKAIA LITERATURA, 2008, (01): : 58 - 66
- [36] "A vile guest": the cholera epidemic in Russia in the epistolary by A. P. Chekhov ALTRE MODERNITA-RIVISTA DI STUDI LETTERARI E CULTURALI, 2022, (28): : 249 - 258
- [37] The play "The Seagull" by A. P. Chekhov in the light of gender psychology and psychoanalysis SIBIRSKII FILOLOGICHESKII ZHURNAL, 2021, (01): : 82 - 95
- [38] Modern musical interpretation of A.P. Chekhov's drama "Three sisters" on the European stage SIBIRSKII FILOLOGICHESKII ZHURNAL, 2015, (02): : 211 - 217
- [39] SYMBOLIC REPRESENTATION OF AN IMAGO THROUGH AN IMAGE (THE TOPOS OF GARDEN AND PARK IN A. P. CHEKHOV'S WORKS) RUSSKAIA LITERATURA, 2016, (02): : 100 - 114
- [40] TRADITIONS OF A. N. OSTROVSKY AND A. P. CHEKHOV IN EGOR ZAGREBIN'S PLAY "LEBED' BELAYA [THE WHITE SWAN]" EZHEGODNIK FINNO-UGORSKIKH ISSLEDOVANII-YEARBOOK OF FINNO-UGRIC STUDIES, 2022, 16 (02): : 255 - 261