共 50 条
- [41] Sami Musical Performance and the Politics of Indigeneity in Northern EuropeJOURNAL OF WORLD POPULAR MUSIC, 2016, 3 (01): : 150 - 153Arvidsson, Alf
- [42] GOVERNMENT AND POLITICS IN NORTHERN EUROPE: AN ACCOUNT OF RECENT DEVELOPMENTSJOURNAL OF POLITICS, 1946, 8 (03): : 362 - 391Bellquist, Eric C.
- [43] Dual mode standoff imaging spectroscopy documents the painting process of the Lamb of God in the Ghent Altarpiece by J. and H. Van EyckSCIENCE ADVANCES, 2020, 6 (31)Van der Snickt, GeertDooley, Kathryn A.Sanyova, JanaDubois, HeleneDelaney, John K.Gifford, E. MelanieLegrand, StijnLaquiere, NathalieJanssens, Koen
- [44] Politics and painting at the Venice Biennale, 1948-64: Italy and the idea of EuropeMODERN ITALY, 2009, 14 (02) : 237 - 238Bernardini, Paolo
- [45] Politics and Painting at the Venice Biennale, 1948-64: Italy and the Idea of EuropeOXFORD ART JOURNAL, 2010, 33 (01) : 115 - 120Pucci, Lara
- [47] The Age of Rubens: Diplomacy, Dynastic Politics and the Visual Arts in Early Seventeenth-century Europe.BURLINGTON MAGAZINE, 2018, 160 (1379): : 163 - 164Martin, Gregory
- [48] Sami Musical Performance and the Politics of Indigeneity in Northern Europe.YEARBOOK FOR TRADITIONAL MUSIC, 2015, 47 : 191 - 193Moisala, Pirkko
- [49] Inherent drawing of two Eyckian painting of the Prado Museum: the triumph of the Church over the synagogue, school of Van Eyck, and Saint Francis receiving stigmata, from HoogstratenPEINTURE ANCIENNE ET SES PROCEDES: COPIES, REPLIQUES, PASTICHES, 2006, : 42 - 50Maroto, Pilar Silva
- [50] Were optical projections used in early Renaissance painting? A geometric image analysis of Jan van Eyck's "Arnolfini portrait" and Robert Campin's "Merode Altarpiece"VISION GEOMETRY XII, 2004, 5300 : 23 - 30Stork, DG