共 50 条
- [42] Once Again in Thought About Rilke, Twombly's Orpheus Paintings and Fatherhood, I Consider the Inevitability of Creation and Loss NEW ENGLAND REVIEW-MIDDLEBURY SERIES, 2019, 40 (04): : 178 - 179
- [44] Exhuming Rilke's orphic body: Gender and poetic voice in 'Orpheus. Eurydike. Hermes' and 'Hetaren-Graber' GERMANIC REVIEW, 2004, 79 (04): : 247 - 272
- [45] ON THE COMPOSITION OF PEDRO JUAN NUNEZ'S COMMENTARY ON ARISTOTLE'S POETICS BOLETIN DE LA REAL ACADEMIA ESPANOLA, 2015, 95 (312): : 379 - 389
- [46] POETICS OF TRANSFORMATION IN I. SILANTYEV'S THE LIGHT OF ARKHANGELSK IZVESTIYA URALSKOGO FEDERALNOGO UNIVERSITETA-SERIYA 2-GUMANITARNYE NAUKI, 2022, 24 (04): : 281 - 292
- [47] CONCERNING COCTEAU 'ORPHEE' AND ANOUILH 'EURYDICE' + RILKE, THE MISINTERPRETATION OF A CLASSICAL-GREEK RELIEF, AND A 20TH-CENTURY TRANSFORMATION OF THE ORPHEUS LEGEND - THE FLUCTUATIONS OF A MYTHOLOGEM RLC-REVUE DE LITTERATURE COMPAREE, 1975, 49 (03): : 438 - &
- [48] "Mit trauervollem Blick": The Time of Seeing and Lyric Subjectivity in Rainer Maria Rilke's "Orpheus. Eurydike. Hermes" and "Pieta" GERMAN QUARTERLY, 2015, 88 (04): : 451 - 472
- [49] ORGANIC COMPOSITION OR UT PICTURA POESIS? ΖΩΙΟΝ IN ARISTOTLE'S POETICS CLASSICAL QUARTERLY, 2024, 74 (01): : 85 - 99
- [50] Poetics and poetic self-understanding. An introduction to Rainer Maria Rilke's early poems (1884-1906). MODERN AUSTRIAN LITERATURE, 2004, 37 (3-4): : 75 - 77