What is the Human? Imagining the Self as Post-human

被引:0
|
作者
Bologan, Anatol [1 ]
Seo, Jinsil Hwaryoung [1 ]
机构
[1] Texas A&M Univ, Dept Visualizat, College Stn, TX 77843 USA
来源
PROCEEDINGS OF THE 2017 ACM SIGCHI CONFERENCE ON CREATIVITY AND COGNITION (C&C 2017) | 2017年
关键词
interactive art; post-human; human perception; human computer interaction; embodiment;
D O I
10.1145/3059454.3059507
中图分类号
J [艺术];
学科分类号
13 ; 1301 ;
摘要
This project consists of a series of three primary media sculptures that progressively remove the human form and replace it with technology. The organic human forms have no active functionality and are juxtaposed with manufactured technological components that provide the interactive aspect of the artwork. The facial molds resemble "death masks" that can be found in art museums and anthropological collections, but are made "alive" with recycled technology. The intention of the artists is to evoke exploration, captivation and fantasy from the viewer as he or she explores these interactive sculptures. The artwork questions as well as highlights the importance of technology as part of our contemporary culture and consciousness and intends to engage in the discourse of human versus cyborg, technicism versus humanism.
引用
收藏
页码:450 / 452
页数:3
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