Algorithmic Compositions are a Phenomenon of Electronic Music

被引:2
|
作者
Piryazeva, Elena N. [1 ]
机构
[1] Russian Acad Educ, Inst Art Educ & Cultural Studies, Moscow 119121, Russia
关键词
electronic music; algorithmic composition; contemporary music; musical style; David Cope;
D O I
10.17674/1997-0854.2019.2.105-110
中图分类号
J6 [音乐];
学科分类号
摘要
Electronic music can be subdivided into a number of varieties. They include music composed for electronic musical instruments; music the basis of which is the transformation by electronic means of sounds surrounding the human being; music created by means of sounds automatically generated by electronic means, as well as music programmed on the computer, or algorithmic music. The present article is devoted to examining an experiment in the sphere of algorithmic music which during the course of a long time is carried out by composer, scholar and writer David Cope - a researcher of musical artificial intellect. Cope is the developer of programs for analysis and creation of musical compositions in the styles of well-known composers. The article applies the method of comparative analysis for comparing a musical composition by Hungarian composer Bela Bartok and its model created by means of algorithmic composition with David Cope's program. Creation of style according to a model is an enthralling experiment making it possible to perceive in an adequate manner the music of famous masters, to carry out competent interpretations in musicological analyses, to establish the components of a composer's style, observing important components of his mannerisms, and to perfect oneself in computer programming. Nonetheless, a composition created by a master still surpasses the mechanical version by the presence of inimitable creative enlightenment inspiring in its solution of the posed creative goal, which is impossible to recreate automatically.
引用
收藏
页码:105 / 110
页数:6
相关论文
共 50 条
  • [1] Complex network structure of musical compositions: Algorithmic generation of appealing music
    Liu, Xiao Fan
    Tse, Chi K.
    Small, Michael
    PHYSICA A-STATISTICAL MECHANICS AND ITS APPLICATIONS, 2010, 389 (01) : 126 - 132
  • [2] Compositions of permutations and algorithmic reducibilities
    Korovin, KV
    RECURSION THEORY AND COMPLEXITY, 1999, 2 : 89 - 95
  • [3] Algorithmic clustering of music
    Cilibrasi, R
    Vitányi, P
    de Wolf, R
    PROCEEDINGS OF THE FOURTH INTERNATIONAL CONFERENCE ON WEB DELIVERING OF MUSIC, 2004, : 110 - 117
  • [4] AMI: Algorithmic Music Interface
    Colasanto, Francisco
    Sefchovich, Jorge Rodrigo Sigal
    MUSICA HODIE, 2024, 24
  • [5] Algorithmic music, vol 104
    不详
    ANNEE PSYCHOLOGIQUE, 1927, 28 : 676 - 676
  • [6] NATURE, MUSIC, AND ALGORITHMIC COMPOSITION
    LEACH, J
    FITCH, J
    COMPUTER MUSIC JOURNAL, 1995, 19 (02) : 23 - 33
  • [7] Algorithmic Music Composition Comparison
    Wiriyachaiporn, Panida
    Chanasit, Kankawee
    Suchato, Atiwong
    Punyabukkana, Proadpran
    Chuangsuwanich, Ekapol
    2018 15TH INTERNATIONAL JOINT CONFERENCE ON COMPUTER SCIENCE AND SOFTWARE ENGINEERING (JCSSE), 2018, : 383 - 388
  • [8] The Oxford Handbook of Algorithmic Music
    Hagan, Kerry L.
    ORGANISED SOUND, 2019, 24 (01) : 109 - 110
  • [9] The Oxford handbook of algorithmic music
    Anatrini, Alessandro
    MUSICAE SCIENTIAE, 2020, 24 (03) : 402 - 407
  • [10] Compositions as intervention of music
    Huber, Harald
    OSTERREICHISCHE MUSIKZEITSCHRIFT, 2007, 62 (11-12): : 6 - 11