AMI: Algorithmic Music Interface

被引:0
|
作者
Colasanto, Francisco [1 ]
Sefchovich, Jorge Rodrigo Sigal [1 ]
机构
[1] UNAM, Escuela Nacl Estudios Super, Morelia, Michoacan, Mexico
来源
MUSICA HODIE | 2024年 / 24卷
关键词
Latin-American technology; algorithmic music; Max for Live; sequence classification;
D O I
10.5216/mh.v24.78922
中图分类号
J6 [音乐];
学科分类号
摘要
: In Latin America, the practice of algorithmic composition boasts famous representatives such as the Argentine Horacio Vaggione or the Mexican Julio Estrada. However, there isn't much history of software or computer tools created for this purpose. Additionally, the software available for algorithmic music creation mostly requires particular knowledge from composers. AMI (Algorithmic Musical Interface) is a tool developed in Latin America within the Max for Live environment. It not only allows for the algorithmic and straightforward generation of symbolic data lists but also categorizes these sequences to provide a list of relationships or similarities that the composer can use as suggestions for connecting musical parts.
引用
收藏
页数:20
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