AMI: Algorithmic Music Interface

被引：0

作者：

Colasanto, Francisco ^{[1
]}

Sefchovich, Jorge Rodrigo Sigal ^{[1
]}

机构：

[1] UNAM, Escuela Nacl Estudios Super, Morelia, Michoacan, Mexico

来源：

MUSICA HODIE | 2024年 / 24卷

关键词：

Latin-American technology; algorithmic music; Max for Live; sequence classification;

D O I：

10.5216/mh.v24.78922

中图分类号：

J6 [音乐];

学科分类号：

摘要：

: In Latin America, the practice of algorithmic composition boasts famous representatives such as the Argentine Horacio Vaggione or the Mexican Julio Estrada. However, there isn't much history of software or computer tools created for this purpose. Additionally, the software available for algorithmic music creation mostly requires particular knowledge from composers. AMI (Algorithmic Musical Interface) is a tool developed in Latin America within the Max for Live environment. It not only allows for the algorithmic and straightforward generation of symbolic data lists but also categorizes these sequences to provide a list of relationships or similarities that the composer can use as suggestions for connecting musical parts.

引用

页数：20

共 50 条

[41] Extra-music(ologic)al models for algorithmic composition
Eldridge, AC
APPLICATIONS OF EVOLUTIONARY COMPUTING, PROCEEDINGS, 2005, 3449 : 557 - 562
[42] The Design of an Algorithmic Modal Music Platform for Eliciting and Detecting Emotion
Santos Gonzalez, Eduardo J.
McMullen, Kyla
2020 8TH INTERNATIONAL WINTER CONFERENCE ON BRAIN-COMPUTER INTERFACE (BCI), 2020, : 85 - 87
[43] Organizing music, organizing gender: algorithmic culture and Spotify recommendations
Werner, Ann
POPULAR COMMUNICATION, 2020, 18 (01) : 78 - 90
[44] Towards Automated Quality Assessment Methods in Algorithmic Music Composition
Csaba, Sulyok
2019 21ST INTERNATIONAL SYMPOSIUM ON SYMBOLIC AND NUMERIC ALGORITHMS FOR SCIENTIFIC COMPUTING (SYNASC 2019), 2020, : 155 - 158
[45] How Much Information? Effects of Transparency on Trust in an Algorithmic Interface
Kizilcec, Rene F.
34TH ANNUAL CHI CONFERENCE ON HUMAN FACTORS IN COMPUTING SYSTEMS, CHI 2016, 2016, : 2390 - 2395
[46] Algorithmic adventures at the interface of computer science, statistical physics, and combinatorics
Selman, B
PRINCIPLES AND PRACTICE OF CONSTRAINT PROGRAMMING - CP 2004, PROCEEDINGS, 2004, 3258 : 9 - 12
[47] Music Tweet Map: A Browsing Interface to Explore the Microblogosphere of Music
Hauger, David
Schedl, Markus
2016 14TH INTERNATIONAL WORKSHOP ON CONTENT-BASED MULTIMEDIA INDEXING (CBMI), 2016,
[48] H2AMI: Intuitive Human to Aerial Manipulator Interface
Zoric, Filip
Orsag, Matko
2023 INTERNATIONAL CONFERENCE ON UNMANNED AIRCRAFT SYSTEMS, ICUAS, 2023, : 1226 - 1232
[49] A Tangible Interface for the AMI Content Linking Device - The Automated Meeting Assistant
Ehnes, Jochen
HSI: 2009 2ND CONFERENCE ON HUMAN SYSTEM INTERACTIONS, 2009, : 303 - 310
[50] Follow the guides: disentangling human and algorithmic curation in online music consumption
Villermet, Quentin
Poiroux, Jeremie
Moussallam, Manuel
Louail, Thomas
Roth, Camille
15TH ACM CONFERENCE ON RECOMMENDER SYSTEMS (RECSYS 2021), 2021, : 380 - 389

← 1 2 3 4 5 →