HISTORY OF THE ACTIONISM: DADA, SURREALISM, FUTURISM

被引:0
|
作者
Petrov, Vladislav O. [1 ,2 ]
机构
[1] Astrakhan State Conservatory, Mus Theory & Hist Dept, Astrakhan, Russia
[2] Guild Musicologists Russia, Astrakhan Div, Astrakhan, Russia
关键词
actionism; Dadaism; Surrealism; Futurism; the synthesis of the arts; performance; happening; aesthetics;
D O I
暂无
中图分类号
C [社会科学总论];
学科分类号
03 ; 0303 ;
摘要
The article is devoted to one of the main genres of the twentieth century - actionism, which manifested in various forms of art - music, theater, literature, painting, cinema. The phenomenon of Actionism implies synthesis techniques drawn from these arts, thus becoming a universal concept, having interspecies roots. We consider the establishment of Actionism is located in such stylistic directions as Dadaism, Surrealism and Futurism. Each of them gave some signs of actionism, receptions, later led to the emergence of such leading genres as performance and happening, the implementation of which took place in the artistic heritage of K. Stockhausen, J. Cage, M. Cunningham, D. Tudor, E. Brown, M. Kagel, V. Ekimovsky, D. Lynch and other representatives of different art forms. The article presents the aesthetic positions of the leaders of these directions - M. Duchamp, P. Picabia, T. Tzara, A. Breton, L. Russolo, K. Malevich. Identify the main laws of creativity Dadaism, Surrealism and Futurism with their projection on contemporary art.
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页码:589 / 599
页数:11
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