Algorithmic Composition: Computational Thinking in Music

被引:46
|
作者
Edwards, Michael [1 ]
机构
[1] Univ Edinburgh, Sch Arts Culture & Environm, Edinburgh, Midlothian, Scotland
关键词
INTERVIEW;
D O I
10.1145/1965724.1965742
中图分类号
TP3 [计算技术、计算机技术];
学科分类号
0812 ;
摘要
IN THE WEST, the layman's vision of the creative artist is largely bound in romantic notions of inspiration sacred or secular in origin. Images are plentiful; for example, a man standing tall on a cliff top, the wind blowing through his long hair, waiting for that particular iconoclastic idea to arrive through the ether. a Tales, some even true, of genii penning whole operas in a matter of days, further blur the reality of the usually slowly wrought process of composition. Mozart, with his celebrated speed of writing, is a famous example who to some extent fits the cliche, though perhaps not quite as well as legend would have it.(b)
引用
收藏
页码:58 / 67
页数:10
相关论文
共 50 条