Michael Haneke's New(s) Images

被引：0

作者：

Thomas, Jonathan ^{[1
]}

机构：

[1] Univ Minnesota, Whitney Museums Independent Study Program, Minneapolis, MN 55455 USA

来源：

关键词：

D O I：

10.1080/00043249.2008.10791315

中图分类号：

J [艺术];

学科分类号：

13 ; 1301 ;

摘要：

[No abstract available]

引用

页码：80 / 85

页数：6

共 50 条

[31] Losing Touch: A Theology of Death for Michael Haneke's Amour
Worley, Taylor
RELIGIONS, 2016, 7 (12):
[32] Surveillance and the indifferent gaze in Michael Haneke's Cache (2005)
Burris, Jennifer
STUDIES IN FRENCH CINEMA, 2011, 11 (02): : 151 - 163
[33] UNKNOWN KNOWNS: MICHAEL HANEKE'S CACHE AND THE FAILURE OF ALLEGORY
Fulton, Dawn
MODERN LANGUAGE REVIEW, 2019, 114 : 682 - +
[34] Funny games and the not relationship of the causality in Michael Haneke's films
Marques Sampaio, Livia Maria
REVISTA MEDIACAO, 2014, 16 (19): : 143 - +
[35] EXASPERATING MISCOMMUNICATIONS: THE COLD EUROPE IN MICHAEL HANEKE'S FILMS
Falkowska, Janina
CANADIAN REVIEW OF COMPARATIVE LITERATURE-REVUE CANADIENNE DE LITTERATURE COMPAREE, 2007, 34 (03): : 329 - 338
[36] Fascinatingly Disturbing: Interdisciplinary Perspectives on Michael Haneke's Cinema
Buhanan, Kurt R.
JOURNAL OF VISUAL CULTURE, 2013, 12 (01) : 186 - 189
[37] A community in splinters: communality in Michael Haneke's Code Unknown
Fong, Hon Wai
CONTINUUM-JOURNAL OF MEDIA & CULTURAL STUDIES, 2012, 26 (06): : 923 - 934
[38] MICHAEL HANEKE
Andrew, Geoff
SIGHT AND SOUND, 2012, 22 (12): : 54 - 58
[39] Michael Haneke
Masoni, T
CINEFORUM, 1999, 39 (09): : 64 - 65
[40] The Horror of (a) Playing God: Job's Nightmare and Michael Haneke's Funny Games
Herling, Bradley
JOURNAL OF RELIGION AND POPULAR CULTURE, 2012, 24 (02): : 230 - 246