Analysis of the role of symbolic language in oil painting creation

被引：0

作者：

Xu, Cui ^{[1
]}

Qu, Qiulin ^{[2
]}

机构：

[1] Changchun Inst Technol, Visual Arts, Changchun 130000, Jilin, Peoples R China

[2] Changchun Normal Univ, Acad Fine Arts, Changchun 130000, Jilin, Peoples R China

来源：

Proceedings of the 2016 2nd International Conference on Economics, Management Engineering and Education Technology (ICEMEET 2016) | 2016年 / 87卷

关键词：

Symbolic language; Oil painting; Artistic conception; Age characteristics;

D O I：

暂无

中图分类号：

F [经济];

学科分类号：

02 ;

摘要：

Oil painting is a western painting type, since it was introduced into China, because China's specific "shape write god", "me like and don't like" the influence of aesthetic thought, to make it more and more Chinese, localization, in the development process, appeared a batch of the pursuit of image and painting blend of artists, these artists have skilful use of some different symbolic language to express the emotion, the pursuit of "body and pick up and condition, and body and gratitude" aesthetic character, showed a strong national aesthetic consciousness. Based on this, the author tries to explore the symbolic language in the use of the role of in painting creation, to inspire the practice of the oil painting creation.

引用

页码：537 / 540

页数：4

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