The senses of everyday life, the essence of everyday life. Disorder by Philippe De Jonckheere

Desordre, a website that Philippe De Jonckheere has been developing and maintaining for over seventeen years (since 2000), is a hypermediatic work, composed of numerous projects, with a labyrinthic structure characterized by semiotic hybridization and transartiality, in a context oscillating between the autobiographic and the autofictional. It reenacts the diaristic practice by summoning, through its digital anchoring, text, images, videos, and sounds. This analysis aims to highlight how the polyphonic work of De Jonckheere allows seeing, reading, and, above all, feeling the everyday life experience and, through it, the sensory experience in its plurality. I will underline the way in which this experience adheres to the logic of accumulation, of deepening of the realof the relationship to the world and lifeshifted towards the capture of the short-lived, the detail, if not the anecdotal. In addition, this article will examine how the work of De Jonckheere gives rise to a rearrangement of time, working on what could be called a pathetic temporality.' In short, I will highlight the way in which Desordre, which engages and exalts the not-so-much, the almost nothing, falls within the reengagement of the sensitive, as much intimate as extimate.