The Large Glass of Duchamp 3D reconstruction behind the glass of Txuspo Poyo

This research shows how the artist Txuspo Poyo, through his artwork Delay glass, turns the unfinished work The Large Glass into moving image and completes it with references taken from other works by Marcel Duchamp. Poyo works with 3D technology to bring to life characters simulated by machines that symbolize love, desire, sexual relations, and human frustrations. Txuspo Poyo, through his 3D video artwork Delay glass materializes the obsession of Duchamp for representing movement and the third dimension and transforms it into computer-generated animation. The research uses an exploratory, descriptive, and explanatory methodology. It also includes a personal interview with the artist Txuspo Poyo and a film analysis of Delay glass that allows to understand the different universes that make up the work. This text explores the first uses and manifestations of 3D technology in the production of animated videoart practices and some of the conclusions to be drawn from the research are, among others, that Poyo connects with the spirit and unreality of the stages observed in the work of the first video art artists who worked with 3D software and that he works with abstraction as opposed to the narrative seen in other overall consumer audiovisual products. The artist absorbs the symbolism of the machines of The Large Glass and develops a technological approach that could be defined as a carnal love transformed into mechanical desire that completes unfinished work of Duchamp and includes within Delay glass the concept of audiovisual voyeurism and industrial fetishism.