Developing Musical Creativity Through Movement: Navigating the Musical Affordance Landscape

被引:2
|
作者
Nijs, Luc [1 ,2 ,4 ,5 ]
Grinspun, Noemi [3 ]
Fortuna, Sandra [1 ]
机构
[1] Univ Ghent, Ghent, Belgium
[2] Univ Luxembourg, Luxembourg, Luxembourg
[3] Univ Metropolitana Ciencias Educ, Nunoa, Chile
[4] Univ Ghent, Inst Psychoacoust & Elect Mus, Ghent, Belgium
[5] Univ Luxembourg, Inst Musicol & Arts, 11 Prte Sci, Luxembourg 4366, Luxembourg
关键词
COGNITIVE FLEXIBILITY; EMBODIED COGNITION; EXECUTIVE FUNCTION; BEAT; RHYTHM; ENTRAINMENT; LANGUAGE; ACCOUNT; SPEECH; CONSTRAINTS;
D O I
10.1080/10400419.2023.2299159
中图分类号
G44 [教育心理学];
学科分类号
0402 ; 040202 ;
摘要
Schools too often undermine creativity, said Ken Robinson, an educationalist who has changed thinking on schools. In his famous TEDtalk "Do schools kill creativity?," he argues that the undermining of creativity results from being too focused on children's heads rather than on their bodies. In line with Robinson's observation, music education has been criticized for a lack of creative approaches, and a focus on disembodied learning experiences. In our view, the development of creative and embodied approaches to music education needs a deeper understanding of the embodied processes that underlie creativity, especially with regard to the use of the body in music learning. Using a dynamic, relational, and action-oriented perspective on creativity, we connect creativity to the concepts of affordance navigation, metastability, and cognitive flexibility. Next, we elaborate on how body movement may support creatively exploring the musical environment and developing a deepened musical understanding through purposeful affordance navigation.
引用
收藏
页数:25
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