Impacts on black corporeality: the poetics of resistance in Conceicao Evaristo and Luedji Luna

This article aims to highlight the consequences imposed on the black female body by projects/ executions of brazilian economic systems. Starting with the analysis of the poem " Vozes- mulheres" by Concei & ccedil;& atilde;o Evaristo (2017), and moving through the songs Ain't Got No and Choror & ocirc;, from the album Bom mesmo & eacute; estar debaixo d'& aacute;gua by singer-songwriter Luedji Luna (2020), it examines the misery to which the Black population is socially relegated as a result of slavery and its lingering effects in contemporary times. Using qualitative methodology, the article seeks to affirm how the precarity imposed on Black individuals and the resulting inequalities became starkly evident during the COVID-19 pandemic in Brazil. The impoverishment of the Black population is analyzed, drawing on research by L & eacute;lia Gonzalez e Carlos Hasenbalg (1982) e Neusa Souza (2021), as a social configuration, a naturalized place. As a finding, it underscores how Black women subvert these naturalized social impositions through their intellect, arts and Escreviv & ecirc;ncia, resulting in an answer to the following question: "Is it possible to overcome the economic scarcity and abundant violence imposed by Brazilian economic systems on black bodies?