Audio-visual interactive aesthetics and synergistic mode of Chinese traditional music and Chinese painting

The experimental aesthetics methods were used to establish an aesthetic-emotional multi-annotation model, choosing Chinese traditional music and Chinese painting as the art form. According to the distribution of different aesthetic categories in the shared emotional space, the fuzzy matching experiment of audio-visual signals was carried out based on the similar emotional composition of different aesthetics. It was verified that the matching method has aesthetic synergistic effect. The contribution rate and aesthetic enhancement scale under different matching modes were obtained. The results showed that the average aesthetic gain rate of auditory to visual was about 36%, and visual to auditory was about 33%. In addition, visual played a relatively larger role in positive aesthetic emotion, while auditory did in negative aesthetic emotion. © 2020 Acta Acustica.