The Sea and Underwater Transport in Imraan Coovadia's The Institute for Taxi Poetry

This article discusses the link between public transport and literary practices by analyzing Imraan Coovadia's 2012 novel, The Institute for Taxi Poetry. In this novel, Coovadia comments on South Africa's palimpsestic history from the precolonial to the postcolonial. One way in which Coovadia does this is through the motif of the taxi. The taxi refers to a mini-bus taxi which in South Africa is a form of public transport primarily used by people from working-class backgrounds. Another way concerns the proposal of a fictional genre that plays a prominent role in this novel: taxi poetry. The article explores the ways in which the novel uses the taxi and submarine vessels to open up the geography of the sea as a transport surface whose impact on the histories of the dispossessed is visible from both below and above the waterline. Through engagement with the humanities turn in mobility studies and with scholarship in the oceanic humanities from the Global South, the article argues that the national and terrestrial readings of public transport in African literature(s) undervalue the sea, a prominent transport arena in Coovadia's novel, as both a space of transit as well as a public space with shared transnational histories. The article engages the novel's imagined literary sub-genre to evaluate how the text's subterranean extensions of the South African taxi industry, and public transport generally, unearth the layered narrative of South Africa as nation.