Of Materiality and Meaning: The Illegality Condition in Street Art
被引:18
|
作者:
Chackal, Tony
论文数: 0引用数: 0
h-index: 0
机构:
Univ Georgia, Dept Philosophy, Athens, GA 30602 USAUniv Georgia, Dept Philosophy, Athens, GA 30602 USA
Chackal, Tony
[1
]
机构:
[1] Univ Georgia, Dept Philosophy, Athens, GA 30602 USA
来源:
JOURNAL OF AESTHETICS AND ART CRITICISM
|
2016年
/
74卷
/
04期
关键词:
D O I:
10.1111/jaac.12325
中图分类号:
J [艺术];
学科分类号:
13 ;
1301 ;
摘要:
Street art is an art form that entails creating public works incorporating the street physically and in their meaning. That physical property is employed as an artistic resource in street art raises two questions. Are street artworks necessarily illegal? Does being illegal change the nature of production and aesthetic appreciation? First, I argue street artworks must be in the street. On my view, both the physical and sociocultural senses of the street can be constitutive of meaning. Second, I argue that illegality is a prototypical and paradigmatic feature of street art. While illegality alone does not make works better than sanctioned street art, it affects the production process and changes what is available to appreciate.