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- [32] Oscar!Micheaux's the symbol of the unconquered:: Text and context OSCAR MICHEAUX AND HIS CIRCLE: AFRICAN-AMERICAN FILMMAKING AND RACE CINEMA OF THE SILENT ERA, 2001, : 81 - 96
- [33] Narrative style in Oscar Micheaux's 'Within our gates' WIDE ANGLE-A QUARTERLY JOURNAL OF FILM HISTORY THEORY CRITICISM & PRACTICE, 1998, 20 (04): : 75 - 91
- [34] Bibliography - Introduction: Oscar Micheaux and race movies of the silent period OSCAR MICHEAUX AND HIS CIRCLE: AFRICAN-AMERICAN FILMMAKING AND RACE CINEMA OF THE SILENT ERA, 2001, : XVII - +
- [36] Race, rationality, and melodrama: Aesthetic response and the case of Oscar Micheaux JOURNAL OF AESTHETICS AND ART CRITICISM, 2005, 63 (04): : 327 - 338
- [37] Telling white lies: Oscar Micheaux and Charles W. Chesnutt OSCAR MICHEAUX AND HIS CIRCLE: AFRICAN-AMERICAN FILMMAKING AND RACE CINEMA OF THE SILENT ERA, 2001, : 147 - 158
- [38] 'Other and different scenes': Oscar Micheaux's bodies and the cinematic cut WIDE ANGLE-A QUARTERLY JOURNAL OF FILM HISTORY THEORY CRITICISM & PRACTICE, 1999, 21 (04): : 7 - +
- [40] Writing himself into history - Oscar Micheaux, his silent films, and his audiences TLS-THE TIMES LITERARY SUPPLEMENT, 2001, (5103): : 21 - 21