KEYBOARD PERFORMANCE PRACTICE, BETWEEN 16th AND 21st CENTURIES

被引：0

作者：

Gonzalez Marin, Luis Antonio ^{[1
]}

Gonzalez Uriol, Jose Luis ^{[2
]}

机构：

[1] CSIC, IMF, DCH Musicol, Barcelona, Spain

[2] Inst Fernando Catolico, Zaragoza, Spain

来源：

ANUARIO MUSICAL | 2014年 / 69期

关键词：

Keyboard instruments; monacordio (=clavichord); clvicordio (=harpsichord); claviorgan; temperaments; articulation; buen aire; quiebros; redobles; glosas (=diminutions);

D O I：

暂无

中图分类号：

J6 [音乐];

学科分类号：

摘要：

This paper presents a synthesis and a reflection on the circumstances of the performance practice of the keyboard music by Antonio de Cabezon in his time (the available instruments, common temperaments, keyboard technique and some refinements and primores of playing) as a model for our modern recovery of the works by Cabezon and his contemporaries with historically informed criteria

引用

页码：295 / 322

页数：28

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