Communication in Silence? Relational Interstices in Edward S. Curtis's Portrait Photographs (The North American Indian, 1907-1930)

被引：0

作者：

Arrive, Mathilde ^{[1
]}

机构：

[1] Univ Michel Montaigne Bordeaux 3, Pessac, France

来源：

CULTURA LENGUAJE Y REPRESENTACION-REVISTA DE ESTUDIOS CULTURALES DE LA UNIVERSITAT JAUME I | 2007年 / 4卷

关键词：

Edward Sheriff Curtis; Indians of North America; photography; ethnography; ethnic identity; intercultural gaze; intracultural processes;

D O I：

暂无

中图分类号：

G [文化、科学、教育、体育]; C [社会科学总论];

学科分类号：

03 ; 0303 ; 04 ;

摘要：

E.S. Curtis's portrait photographs are problematic visual interfaces between the self and the other where the ambiguities of the American imperial psyche at the beginning of the 20th century are crystallised and refracted. Though the visual paradigm may function as an instrument of symbolic and imaginary appropriation, allowing the imperial psyche to satisfy its hegemonic impulses and to confirm its essentialist beliefs, it may also work as a dynamic locus of cultural articulation where the ethnographic gaze may be reversed - not to say reciprocated - and where the otherness of the Other may ultimately emerge.

引用

页码：9 / 32

页数：24

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