THE MORAL POWER OF THE NARRATIVE ART, LITERATURE, AND MORAL KNOWLEDGE

Should moral criteria play any role in assessing pieces of art? In which way are ethical issues inscribed in literary works of art? Are there any ethical values in literature? Whether it is possible to be taught by art has been a question that has troubled philosophers since the time of Plato. In a way, one could argue that aesthetics, as a branch of value theory, began with Aristotle's defense of the cognitive value of tragedy in response to Plato's famous attack on the arts in the Republic. Cognitivist accounts of aesthetic experience have been central to the field ever since, although in the eighteenth century, it has been pointed out that aesthetic experience is important due to its emotional impact, precisely the opposite of what Plato criticized. Although one cannot doubt the fact that art can have a strong emotional effect on us, the question is whether it is possible for art to influence us in such a way as to contribute to our self-development and to our understanding of the world. Moreover, the recent ethical turn towards art and literature redefines, on contemporary terms, the study of both ancient and modern philosophy by stressing the need to combine literature and the narrative arts into the pursuit of a common moral goal.