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- [3] CONFLICTING REPRESENTATIONS AND SYMBOLOGY CONCERNING WOMEN IN THE LAST FOG AND THE SHROUDED, BY MARIA LUISA BOMBAL, AND THE NAKED WOMAN, BY ARMONIA SOMERS HISPANOFILA, 2015, (173): : 333 - 348
- [4] MARIA-LUISA (THE LIFE OF BOMBAL,MARIA,LUISA) - SPANISH - GLIGO,A REVISTA INTERAMERICANA DE BIBLIOGRAFIA-INTER-AMERICAN REVIEW OF BIBLIOGRAPHY, 1985, 35 (03): : 329 - 330
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- [6] MARIA LUISA BOMBAL, THE ACCIDENT OF LOVE ANALES DE LITERATURA CHILENA, 2010, 11 (14): : 277 - 284
- [7] DUMP REFLEXES: MARIA LUISA BOMBAL AND CINEMA ANALES DE LITERATURA CHILENA, 2011, 12 (15): : 61 - 78
- [8] REREADING 'ULTIMA NIEBLA' BY BOMBAL,MARIA,LUISA REVISTA IBEROAMERICANA, 1985, 51 (132-33): : 557 - 564
- [9] The symbolism of hair in the work of Maria Luisa Bombal BULLETIN OF HISPANIC STUDIES, 2018, 95 (04): : 435 - 449
- [10] THE MOTIVE OF FRUSTRATION IN 'ULTIMA NIEBLA' OF BOMBAL,MARIA,LUISA CUADERNOS HISPANOAMERICANOS, 1980, (363): : 623 - 626