The purpose of the article is to present, through the biographical profile and maturity process of a young catholic, follower of the "Toca de Assis", the imaginary contrasts and discourses of the "Toca de Assis" followers before and after their conversion. The article claims, by means of a biographical example as well as various interviews and a biographical research, to prove the conversion interpretations among the members of the "Toca de Assis". It tries to understand the dynamics that help and influence the definition of the imaginary and the new identity frames.