Pierre Corneille's Theatre as Pantheon, Pandemonium and Organon

Pierre Corneille's Theatre as Pantheon, Pandemonium and Organon The four collective editions. from 1660 to 1668, of the Theatre of P. Corneille, all under the careful control of the author himself, play a decisive role in the creation of "Great Corneille" as a classic and betray him immediately. These monumental works were more and more radically attacked by the enemies of the theatre. But above all they show us how Corneille imagines a spectator oriented by a (re)reader in his method of approach as well as in his chronology.