HARRY BAILLY AND CHAUCER- PILGRIM'S 'QUITING' IN THE TALE OF SIR THOPAS

While recent scholarship has taken a more benign attitude toward the Middle English romances, Chaucer's Tale of Sir Thopas is still generally read as a satire or parody of the genre. Yet Chaucer's period did not have a compelling tradition of satire, nor did his contemporaries necessarily disdain romance. The claim that Thopas is parodic is stronger, but only if we recognize that the target of the poem may still not be romances but be internal to the Canterbury Tales. A new route to parsing the tale involves considering it within the larger frame of Fragment VII / Group B-2 as a requital to the Host's puerile literary pretensions and joking homosocial insults to Chaucer-pilgrim. Thopas's effeminate feebleness responds to the Host's emasculating jibes, and the story's failed tropes and nugatory plot humorously answer his demands for 'myrthe'. The incongruity between the story's register and content also signal the intentionality of the tale's bungling, which heightens the requital's comic effect when Harry Bailly fails to recognize it and overlooks the intricately crafted poetics of the seemingly-botched story.