BACK TO THE FUTURE: HOW GEORGES MATHIEU'S PERFORMANCE AT MAM- RJ ( 1959) COULD HAVE CHANGED THE PRESENT OF BRAZILIAN MUSEUMSE

被引：0

作者：

Horta, Vivian ^{[1
]}

机构：

[1] Univ Fed Rio de Janeiro, PPGAV, EBA, Artes Visuais, Rio de Janeiro, Brazil

来源：

REVISTA ELETRONICA VENTILANDO ACERVOS | 2022年 / 10卷 / 02期

关键词：

Acquisition policy; Performance art; Georges Mathieu; Museus Castro Maya; Museu de Arte Moderna do; Rio de Janeiro;

D O I：

暂无

中图分类号：

C [社会科学总论];

学科分类号：

03 ; 0303 ;

摘要：

The following article aims to reflect on the influence of institutional acquisition policies on the low presence of performances in the collections of Brazilian museums. As a case study, it considers the acquisition policy of Castro Maya Museums, in Rio de Janeiro, based on the presence of the work "Composition", by Georges Mathieu. Resulting from an action carried out by the artist in 1959, where he painted all the works that were part of his exhibition in an open studio, at the Museum of Modern Art of Rio de Janeiro, the work formally integrates the painting collection of the institution. What we ask ourselves here is: if cases like this were better documented and identified in this and similar institutions, in what way might this behave have influenced the structure of these collections and even the national scene regarding the documentation and research of performance art?

引用

页码：5 / 18

页数：14