Art-making for political ecology: practice, poetics and activism through enchantment

被引:0
|
作者
Springett, Selina [1 ]
机构
[1] Macquarie Univ, MCCALL, Sydney, NSW, Australia
来源
CONTINUUM-JOURNAL OF MEDIA & CULTURAL STUDIES | 2022年 / 36卷 / 03期
关键词
Activism; affective poetics; artmaking; arts-based communication; climate change; environment; more-than-human; soft persuasion; SOMATECHNICS; MATERIALISM; CRITIQUE; AGE;
D O I
10.1080/10304312.2021.2020725
中图分类号
G [文化、科学、教育、体育]; C [社会科学总论];
学科分类号
03 ; 0303 ; 04 ;
摘要
Our world's climate is changing. The ramifications of the current ecological age and the possibility of habitation in - if not strictly post-apocalyptic - very different living conditions than the present, has spurned a pressing need to address our place in a more-than-human frame. A disjuncture between the urgency for concrete action on climate change and the actions of a political class unconvinced and/or slow to move has catalysed the need for action and collaboration across disciplines. The article draws on several creative projects as a springboard for environmental discourse. Notably, it discusses British artist Kate Pattison's work on glaciers, Eve Mosher's High Water Line project, and a work involving a local urban river system. Environmental communication transmitted through artmaking may speak to the problem of inaction in a way that employs soft persuasion and affective poetics. This article intimates artmaking can be a type of activism through enchantment, which has the potential to awaken personal and communities' interests, and thereby encourage them to consider a more eco-centrically holistic future.
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页码:478 / 494
页数:17
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