Spaces of the political

In changing geographic locations, metaphorically or otherwise, perceptions change. Drawing inspiration from ancient Peking rather than Leo Strauss' Athens and Jerusalem changes the compass points of political theory. This is because it moves the centre of gravity away from the tension of reason and revelation toward a city built upon another way of approaching the world, through the channelling and harnessing of vital energy flows, known as qi. Peking is designed, through fengshui, to channel the vital energy know as qi away from intensities and toward productive (harmonious) ends. How have we moderns channeled and harnessed such (political) intensities? This work traces the flow of energy as it takes on modern political forms, expressed through the built environment. Taking the nineteenth-century's Crystal Palace and a Maoist Museum as contrasting examples, it illustrates the way in which the built environment channels and transforms energy. In terms of the political, it is the dissipation or intensification effect of these machines that becomes the defining characteristic of difference between these two different political worlds. As modern machine-technologies, these two examples also shine a light on the ways modernity' has encountered and dealt with the telluric.