THE DEPTHS AND SHALLOWS OF PHILOSOPHICAL STYLE

This paper engages with a central question posed by R. G. Collingwood: "[does] philosophical literature [have] any peculiarities corresponding to those of the thought which it tries to express?" (Collingwood 1933, 199) In attempts to identify and distinguish between various schools and traditions of philosophy the idea of style is often invoked. And yet this same idea remains ill-defined and nebulous. My paper draws on a number of scattered discussions of style in philosophy in order to find the beginnings of an answer to Collingwood's question. I distinguish between "shallow" and "deep" conceptions of philosophical style and examine the various forms each takes. The shallow sense involves considerations of methodology, the dictates of prevailing fashions and choices in writing style, and deals primarily with the form that a philosophical text takes. The deep sense, in Whitehead's words, engages with "the ultimate morality of the mind" (Whitehead 1919, 42) and affects the actual content of writing. Here, a philosopher's style invokes her fundamental philosophical commitments and reflects her philosophical persona and temperament. I maintain that a response to Collingwood's question has to include both conceptions of style.