Degrees of estrangement:: The cultural theory of risk and comparative penology

We can accept that risk is a key idea in understanding contemporary penality-but which constructions of risk are most compelling? Moreover, how does risk-based practice intersect with other structuring principles of penal systems and penal politics? I compare and contrast the views of Feeley and Simon (1992) and of Mary Douglas's 'cultural theory' (Douglas, 1992), and conclude that among the attractions of the tatter are its orientation towards comparative empirical inquiry and its understanding of the notion of 'political culture'. I conclude with some reflections on the comparative penological work in a period marked by both globalizing and particularizing trends.