Visualising Female Authorship. Author Portraits and the Representation of Female Literary Authority in the Eighteenth-Century Dutch Republic

被引：2

作者：

van Deinsen, Lieke ^{[1
,2
]}

机构：

[1] Katholieke Univ Leuven, Art Hist, Leuven, Belgium

[2] Vrije Univ Amsterdam, Cultural Hist, Amsterdam, Netherlands

来源：

QUAERENDO-A JOURNAL DEVOTED TO MANUSCRIPTS AND PRINTED BOOKS | 2019年 / 49卷 / 04期

关键词：

author portraits; authorial identity and (self-)representation; women writers; eighteenth-century Dutch book market; print culture;

D O I：

10.1163/15700690-12341449

中图分类号：

I [文学];

学科分类号：

05 ;

摘要：

This article discusses printed author portraits of women writers as vehicles of public image in the male-dominated eighteenth-century book market. It shows how Dutch women writers responded to the growing demand for author portraits and used their portrait engravings to shape their public image. It proved to be a fine line between showcasing literary aspirations and maintaining female modesty.

引用

页码：283 / 314

页数：32

共 9 条

[1] The Female Appeal Memoir: Genre and Female Literary Tradition in Eighteenth-Century England
Breashears, Caroline
MODERN PHILOLOGY, 2010, 107 (04) : 607 - 631
[2] Negotiating Female Authorship in Eighteenth-Century India: Gender and Multilingualism in a Persian Text
Shah, Zahra
JOURNAL OF THE ROYAL ASIATIC SOCIETY, 2019, 29 (03) : 447 - 466
[3] 'Telling Objects' - Miniatures as an Interactive Medium in Eighteenth-Century Female European Court Portraits
Schrader, Karin
ETUDES EPISTEME, 2019, (36):
[4] Children's books as a commodity: The rise of a new literary subsystem in the eighteenth-century Dutch republic
Salman, J
POETICS, 2001, 28 (5-6) : 399 - 421
[5] Female Book Ownership in the Eighteenth-Century Dutch Republic The Book Collection of Paper-Cutting Artist Joanna Koerten (1650-1715)
Jagersma, Rindert
Rozendaal, Joanna
QUAERENDO-A JOURNAL DEVOTED TO MANUSCRIPTS AND PRINTED BOOKS, 2020, 50 (1-2): : 109 - 140
[6] Provincial networks, dissenting connections, and noble friends: Elizabeth Singer Rowe and female authorship in early eighteenth-century England
Prescott, S
EIGHTEENTH-CENTURY LIFE, 2001, 25 (01) : 29 - 42
[7] The Beginnings of Modern Gendered Discourse in Late Eighteenth-Century Germany: Literary, Philosophical, and Popular Portrayals for Female Orality
Riviere, Jessica
GERMAN QUARTERLY, 2012, 85 (01): : 82 - 83
[8] Cultivating a female presence in the early eighteenth-century learned communityThe printed portraits of Maria de Wilde (1682-1729)
van Deinsen, Lieke
NETHERLANDS YEARBOOK FOR HISTORY OF ART-NEDERLANDS KUNSTHISTORISCH JAARBOEK, 2024, 74 (01):
[9] Reading the intersections of law and literature in the eighteenth century (Ronan Deazley's 'On the Origin of the Right to Copy - Charting the Movement of Copyright Law in Eighteenth-Century Britain (1695-1775)', Jody Greene's The 'Trouble with Ownership - Literary Property and Authorial Liability in England, 1660-1730', Scott Hess's 'Authoring the Self - Self-Representation, Authorship, and the Print Market in British Poetry from Pope through Wordsworth', Wolfram Schmidgen's 'Eighteenth-Century Fiction and the Law of Property', Kathryn Temple's 'Scandal Nation - Law and Authorship in Britain, 1750-1832')
Gunzenhauser, Bonnie
EIGHTEENTH-CENTURY STUDIES, 2007, 40 (02) : 334 - 339

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