CHICKEN OR EGG? RETHINKING THE RELATIONSHIP BETWEEN THE SILVER AND TINNED CERAMIC VESSEL ASSEMBLAGES

Since the 1960s, when the existence of tinned ceramic vessels in the Late Bronze Age Aegean was first recognised, our knowledge of this phenomenon and the catalogue of known examples have expanded significantly. Even before the nature of these objects was fully understood, scholars had suggested that their primary purpose was to imitate metal, particularly silver, vessels. Several silver vessel assemblages, including one from the tholos at Kokla, have been singled out for their perceived special relationship with tinned ceramics. However, loser analysis of tinned vessels has suggested that they were less similar to silver vessels than previously thought, especially in terms of their range of forms, details of shape and even colour. Recent scholarship has also emphasised that the concept of imitation is very complex and its investigation requires a more nuanced approach. Yet references to tinned vessels as straightforward imitations of, or even substitutes for, silver vessels remain common. In 2014, an opportunity arose to examine the Kokla silver vessels in greater detail. A strong connection between the Kokla group and tinned vessels is evident, although this does not mean that the latter depended upon assemblages such as the former for inspiration. The unique features of the Kokla group suggest it may have been a local innovation to emulate the usage of tinned vessels while simultaneously stressing the higher social status of its users. This paper concludes that situating tinned vessels within the ceramic tradition and thus regarding them as an enhanced form of ceramic, rather than an inferior form of metal vessel, better explains the nature of this phenomenon.