A Paradox of Visual Art Development: From Visual Landscape to Visual Nature

The Visual Culture means our time is filled with a rich past, never had even a surplus of visual images, these images of our lives have had a profound impact on the one hand, provides an unprecedented aesthetic enjoyment, on the one hand people addicted to visual loss of natural landscape and increasingly the subject, this is the paradox of visual and cultural development. In the visual landscape of repression, people do not consciously generate reverse impulse, that impulse to return to the visual nature. More than a century ago, Balazs first proposed the concept of visual culture, social development and change in this century, the visual images crowding the undisputed center of the language of reason, declaring emotional freedom and liberation. Not only in the Western capitalist countries, pre-modern, modern and post-modern society staggered entanglements current domestic situation, the image associated with the development of urbanization, the market economy and media technology, already quietly occupy the people's material and spiritual life, to a certain extent, control the way people's awareness and behavior patterns. World image era proposed by Heidegger in 1930's has become the cultural reality that we can deeply felt now.