Contemporary orientations in African Cultural Studies Introduction

This paper offers a glimpse of work generated by the 2014 John Douglas Taylor conference on 'Contemporary Orientations in African Cultural Studies'. The conference generated a number of inquiries into the time and place of contemporary African cultural work, many of which theorised beyond the frameworks that postcolonial and globalisation studies frequently offer. Within the shifting paradigms of Cultural Studies, the work of this conference (as well as the current project) moves away from reading the African everyday as exclusively a construction out of a series of colonial histories and relationalities, or global cultural flows. In line with Jean and John Comaroff's Theory from the South (2011), this issue is instead dedicated to relocating the global centres from which Cultural Studies emanates and to positing African work's challenge to normative zones of cultural critique. 'Contemporary orientations' attempts to relocate the time and space of critique in African studies, but it resists the gesture to posit a stable trajectory through which time moves. Rather, the terms of the contemporary and the orientation depend on how they are read in relation to a multitude of other temporalities, orientations, and objects.