Analysis of the Imagery Language of Chinese Landscape Oil Painting

被引：0

作者：

Zhang, Qiao ^{[1
]}

机构：

[1] Jinling Inst Technol, Nanjing, Jiangsu, Peoples R China

来源：

INTERNATIONAL SYMPOSIUM ON ENGINEERING TECHNOLOGY, EDUCATION AND MANAGEMENT (ISETEM 2014) | 2014年

关键词：

Landscape Oil Painting; Image; Shape; Color; Artistic Conception; Character of Person;

D O I：

暂无

中图分类号：

C [社会科学总论];

学科分类号：

03 ; 0303 ;

摘要：

Chinese imagery landscape oil painting has the aesthetic image of traditional Chinese painting, and Chinese landscape painting is representative of traditional Chinese painting. Chinese contemporary imagery landscape oil painting is production of integrated Chinese painting system and Western painting. "Vivid" is the entry point of "image". Chinese landscape oil painting not only absorbs color of Western impressionist painting, but also fuses the interest of pen and ink of the Chinese painting. It creates a unique and personalized language of oil painting. Chinese landscape oil painting transforms a form of oriental painting, without imitating the form of the external language and iconic symbols of Chinese Literati painting. However, it contains Chinese traditional culture, concept of philosophy and aesthetic perspectives.

引用

页码：626 / 630

页数：5

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