How about equality and equity in higher music education? A theoretical framework for researching quality of music teaching and learning

被引:0
|
作者
Jaaskelainen, Tuula [1 ]
Lopez-Iniguez, Guadalupe [1 ]
机构
[1] Univ Arts Helsinki, Sibelius Acad, Helsinki, Finland
基金
芬兰科学院;
关键词
Constructivism; Equality; Equity; Higher music education; Phenomenography; Quality; CONCEPTIONS; TEACHERS; STUDENTS;
D O I
10.4995/HEAd17.2017.5417
中图分类号
G40 [教育学];
学科分类号
040101 ; 120403 ;
摘要
While quality development has an important role in higher education in Finland, its connection with equality and equity in teaching and l earning music is not often mentioned. Most of the discussions about equality in education have focused on how to equalize access to and participation in education, but there are disagreements about what the very concepts of equality and equity mean in education. When striving to achieve equality in higher music education, the use of learner-centered pedagogies may promote an engaging and satisfying learning experience. We illustrate a more holistic approach in teaching and learning music by adapting the equality-equity model developed by Espinoza (2007) to give an overview of dimensions of equality and equity with reference to the different stages of the educational process at the music university level. Constructivist research and phenomenographic research in teaching and learning music suggest that the conceptions held by teachers and students about teaching and learning can be relevant factors in the pursuit of change in educational practices. On this basis, we develop a theoretical framework and suggest some remedies for the research of teaching and learning in music universities aimed at developing more holistic quality in higher music education.
引用
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页码:775 / 783
页数:9
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