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- [2] Culture and Identity: Reading Hari Kunzru's The Impressionist and Transmission LITERARY VOICE, 2013, 1 (02): : 118 - 122
- [4] A Cosmopolitan Conceptualisation of Place and New Topographies of Identity in Hari Kunzru's Gods Without Men TRANSNATIONAL LITERATURE, 2016, 8 (02):
- [5] Far Away, So Close - Translocation as Storytelling Principle in Hari Kunzru's Transmission POSTCOLONIAL TRANSLOCATIONS: CULTURAL REPRESENTATION AND CRITICAL SPATIAL THINKING, 2013, 156 : 77 - 91
- [8] Memories of empire: The Empire Exhibition in Andrea Levy's Small Island and Hari Kunzru's The Impressionist JOURNAL OF COMMONWEALTH LITERATURE, 2013, 48 (03): : 441 - 452
- [9] THE HEAT OF MOMENT AND POLITICAL TIME IN MOHS IN HAMID'S THE RELUCTANT FUNDAMENTALIST AND HARI KUNZRU'S MY REVOLUTIONS ATELIER, 2012, 4 (02): : 59 - 75