Cultural-Match Effect on the Appreciation of Traditional and Contemporary Visual Arts: Evidence From Poland and Hong Kong

被引:4
|
作者
Ho, Robbie [1 ]
Szubielska, Magdalena [2 ]
Kopis-Posiej, Natalia [2 ,3 ]
机构
[1] Hong Kong Polytech Univ, Div Social Sci Humanities & Design, Coll Profess & Continuing Educ, Hong Kong, Peoples R China
[2] John Paul II Catholic Univ Lublin, Inst Psychol, Lublin, Poland
[3] Med Univ Lublin, Dept Clin Neuropsychiat, Fac Med, Lublin, Poland
关键词
cross-cultural; cultural-match effect; visual arts; art appreciation; aesthetic experience; INDIVIDUALISM-COLLECTIVISM; AUTOBIOGRAPHICAL MEMORY; AESTHETIC APPRECIATION; CONTEXT; PERCEPTION; EXPERTISE; SELF; INFORMATION; VISITORS; JAPANESE;
D O I
10.1037/aca0000535
中图分类号
C [社会科学总论];
学科分类号
03 ; 0303 ;
摘要
Cultural variations in psychological processes are well recognized by cross-cultural psychology. Cultural products & mdash;including the visual arts & mdash;present one medium through which people may manifest their dominant culture. The present research investigates the appreciation of visual arts cross-culturally by hypothesizing and testing a cultural-match effect (i.e., people tend to appreciate same-culture artworks more than they appreciate different-culture artworks). Additionally, the present work considers the factors of historical period and art medium that have been overlooked in previous research. A mixed 2 & times; 2 & times;2 & times;2 design, 97 Western and 91 Eastern na & iuml;ve viewers from Poland and Hong Kong were presented with 128 visual artworks varying in artwork culture (West vs. East), historical period (traditional vs. contemporary), and art medium (painting vs. mural). In a repeated measures fashion, the participants evaluated each artwork in terms of art identification, liking, understanding, and familiarity, and their art expertise and art interest were also measured. Supporting the hypothesis, the Polish group tended to appreciate Western (i.e., same-culture) artworks more than Eastern (i.e., different-culture) artworks. However, contrary to our prediction, the Hong Kong group also tended to appreciate Western (i.e., different-culture) artworks more than Eastern (i.e., same-culture) artworks, and that might be attributed to the Western influence Hong Kong had received during its British colonial years. Furthermore, cultural-match effect did not readily generalize across historical periods nor across art media. Potential confounding of art expertise and art interest as well as limitations and future directions are discussed.
引用
收藏
页码:451 / 462
页数:12
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