Minority Subjectivities in Maxine Hong Kingston's Tripmaster Monkey: His Fake Book

Seeking the legitimacy of representing themselves is one of the major missions that Chinese American writer Kingston sends on her main characters in her novels. To voice his minority subjectivities, Wittman Ah Sing, the protagonist in Tripmaster Monkey: His Fake Book, needs to protest the emasculated stereotype culturally applied to him, a Chinese American man, in a way of changing his identities. This multiple-faced Wittman Ah Sing manifests Kingston’s objection to any singular or fixed subjectivity of Chinese Americans in her anti-racist posture.