Les Lecons de Tenebres: : Marc-Antoine Charpentier's Holy Week in Louis XIV's France

被引:0
|
作者
Asmus, Michael Thomas [1 ]
机构
[1] SUNY Stony Brook, Dept Mus, Stony Brook, NY 11794 USA
关键词
Lent; sacrum triduum; French baroque music; Louis HIV; Marc; Antoine Charpentier; Tenebrae; tonus lamentationum; lamentation; Lecon de Tenebres;
D O I
10.1163/22141332-11030004
中图分类号
K [历史、地理];
学科分类号
06 ;
摘要
The Tenebrae Lessons were important components of Holy Week in baroque France. While Francois Couperin's (1668-1733) settings of the Tenebrae Lessons hold a significant place in both the repertoire and scholarly literature, Marc-Antoine Charpentier's (1643-1704) voluminous settings of the Tenebrae Lessons deserve a place alongside those by Couperin. This article first outlines the liturgy of the Tenebrae service. Second, it examines the welcoming and influences of the Italian style on the French Lecons de Tenebres at a time when Lully's seizure over stage music was complete. Third, it illustrates the influence of secular music-making on this important Liturgical Office. Fourth, it briefly discusses the importance of rhetoric for Charpentier and his contemporaries and rhetoric's influence on Charpentier's compositional style of liturgical music.
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页码:414 / 429
页数:16
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