[en] So That It May Be Lived: The Theatrical Conception in Maria Zambrano's Thought

Maria Zambrano's relationship with theater, in its political and metaphysical dimension, is a constant in the life and thought of the philosopher. After the experience of exile, Antigone appears to her, the tragic heroine who will accompany her for more than twenty years-in which she investigates time, dreams, delirium, democracy or piety-and who will bear fruit in her play La tumba de Ant & iacute;gona (1967). This paper, therefore, aims to illuminate these relationships and the reception of thought in current contemporary theater.